Redemption
Dream Theater released their new album, "Black Clouds and Silver Linings" this past Tuesday. Of course, I purchased it as soon as Best Buy opened their doors. At 10:01 am, I was a proud owner. I have listened to the songs a few times (all but one of them, actually...read on for details). The base album consisted of six songs. Five were good. The second disc on the special edition (I always buy the SE) had some new covers. One of them was Iron Maiden's "To Tame a Land". As Dan (Flapperwax drummer) said, you can't get a cut any deeper than that. The original is the last song on "Piece of Mind". Dream Theater executed brilliantly, but Iron Maiden's version is the better of the two. Just like no one can make Dream Theater songs sound better, no one can make Iron Maiden songs better. All they can simply do is pay respectable homage and maybe introduce their own flavor. In the case of Dream Theater, I couldn't have asked for more.
There was a third disc. The third disc is the instrumentals of every song on disc one. In other words, no lyrics.
As with Systematic Chaos (DT's last album), I will break down my review of disc one in order of song:
1. "A Nightmare to Remember" - This song is pretty good. It is similar - as Mike (linked right) noticed - to so many other first songs on DT albums. It gives its fans what they want, but it isn't fabulous. I will listen to it a couple more times, but I have the feeling that it will be a song I won't commit much more of my time to.
2. "A Rite of Passage" - The song is fantastic. I guess it is the track sent to the radio stations, and I can see that. Everything about this song is put together well, and it is definitely a tune the general public can embrace.
3. "Whither" - I have mixed feelings here. While it is the best vocal performance of the album, I can't help but feel a little let down that it is about writer's block. I dodn't catch that until Mike pointed it out. It is arranged beautifully on an instrumental side as well. I just have a hard time believing writer's block is all that gut wrenching. The way James LaBrie sings it, you would think his dog dies or something. If I choose to ignore the theme of the song, I can appreciate it for the beautiiful song it is. Maybe I'll do that.
4. "The Shattered Fortress" - This may be my favorite song on the album. This or the next track. Mike (sorry to bring you up so much, but I sincerely hope people read both takes) has noted that it reprises the other four songs from the alchohol saga that have appeared over the last four albums. My opinion on the matter is that they did exactly what they should have done. This song brings closure to the epic. The first of the epic was "My Glass Prison" off of Six Degrees of Inner Turbulence. How appropriate is this title of the final song of the series. To drive the point home, this song actually ends with the beginning riff from "My Glass Prison". While there is more new additions than there are reprisals, the latter made the song whole, and the series complete. I cannot say enough good things about this song.
5. "The Best of Times" - This is snother song about a band member's dead father. What I love about Dream Theater is that they pay their respects to their loved ones in a way I could only dream of doing. Additionally, this is one of their best songs in a long time. Right now, this song struggles with the last one for #1. The Guitar solo is even more emotive than Whither's...and this song is about a subject that I can emotionally embrace.
6. "The Count of Tuscany" - this is the meh of all mehs. Dream Theater has to stop writing long songs for the sake of having long songs. The length of this tune is all Mike Portnoy, and I hold him largely responsible. For those of you who have heard it, imagine the first 5 1/2 minutes of Octavarium*. Now multiply the length of it by three. That is "The Count of Tuscany" for you. There is nothing memorable about the song. Dream Theater will never top "A Change of Seasons" in this category, so they should stop trying. Of course, I refer to the category of epic songs that are not broken down into separate tracks. SFAM and Six Degrees don't count.
All in all, the album is very good. Still, nothing they have done holds a candle to Images and Words. However, I am glad they don't. If they kept releasing songs like they did back in the day, there would be no progression, and nothing special about I&W. That said, this album was a huge step in the right direction from their last one.
Change of subject...
I haven't posted this yet, but Mike Seppy will be in town on businees in a couple weeks. I am excited about that. He gets a per diem food allowance (and keeps the remainder). He has graciously offered to feed me while he is here. I won't get to see him every day he is in town, but it has been over a year and it is high time we see eachother. His plans for moving here are on a slight defferment. Who knows, maybe the defferment will be permanant once he feels Phoenix in July.
Speaking of Mike, I came a cross some of his old artwork from the late 90's while I was at work the other day. Mike used to draw Manga style quite a bit for a while there. I have no idea whether he still does it, but he is pretty good. One was of me back in my Bujinkan (and long hair) days. I thought I would share it. I am wielding a Shoge if you were wondering:
Looking forward to seeing him again.
Finally, let's get some music up here. I have decided against Dream Theater. Instead, I would like to play a video of one of the songs my band is planning to cover. It is "Wild Child" by W.A.S.P.
There was a third disc. The third disc is the instrumentals of every song on disc one. In other words, no lyrics.
As with Systematic Chaos (DT's last album), I will break down my review of disc one in order of song:
1. "A Nightmare to Remember" - This song is pretty good. It is similar - as Mike (linked right) noticed - to so many other first songs on DT albums. It gives its fans what they want, but it isn't fabulous. I will listen to it a couple more times, but I have the feeling that it will be a song I won't commit much more of my time to.
2. "A Rite of Passage" - The song is fantastic. I guess it is the track sent to the radio stations, and I can see that. Everything about this song is put together well, and it is definitely a tune the general public can embrace.
3. "Whither" - I have mixed feelings here. While it is the best vocal performance of the album, I can't help but feel a little let down that it is about writer's block. I dodn't catch that until Mike pointed it out. It is arranged beautifully on an instrumental side as well. I just have a hard time believing writer's block is all that gut wrenching. The way James LaBrie sings it, you would think his dog dies or something. If I choose to ignore the theme of the song, I can appreciate it for the beautiiful song it is. Maybe I'll do that.
4. "The Shattered Fortress" - This may be my favorite song on the album. This or the next track. Mike (sorry to bring you up so much, but I sincerely hope people read both takes) has noted that it reprises the other four songs from the alchohol saga that have appeared over the last four albums. My opinion on the matter is that they did exactly what they should have done. This song brings closure to the epic. The first of the epic was "My Glass Prison" off of Six Degrees of Inner Turbulence. How appropriate is this title of the final song of the series. To drive the point home, this song actually ends with the beginning riff from "My Glass Prison". While there is more new additions than there are reprisals, the latter made the song whole, and the series complete. I cannot say enough good things about this song.
5. "The Best of Times" - This is snother song about a band member's dead father. What I love about Dream Theater is that they pay their respects to their loved ones in a way I could only dream of doing. Additionally, this is one of their best songs in a long time. Right now, this song struggles with the last one for #1. The Guitar solo is even more emotive than Whither's...and this song is about a subject that I can emotionally embrace.
6. "The Count of Tuscany" - this is the meh of all mehs. Dream Theater has to stop writing long songs for the sake of having long songs. The length of this tune is all Mike Portnoy, and I hold him largely responsible. For those of you who have heard it, imagine the first 5 1/2 minutes of Octavarium*. Now multiply the length of it by three. That is "The Count of Tuscany" for you. There is nothing memorable about the song. Dream Theater will never top "A Change of Seasons" in this category, so they should stop trying. Of course, I refer to the category of epic songs that are not broken down into separate tracks. SFAM and Six Degrees don't count.
All in all, the album is very good. Still, nothing they have done holds a candle to Images and Words. However, I am glad they don't. If they kept releasing songs like they did back in the day, there would be no progression, and nothing special about I&W. That said, this album was a huge step in the right direction from their last one.
Change of subject...
I haven't posted this yet, but Mike Seppy will be in town on businees in a couple weeks. I am excited about that. He gets a per diem food allowance (and keeps the remainder). He has graciously offered to feed me while he is here. I won't get to see him every day he is in town, but it has been over a year and it is high time we see eachother. His plans for moving here are on a slight defferment. Who knows, maybe the defferment will be permanant once he feels Phoenix in July.
Speaking of Mike, I came a cross some of his old artwork from the late 90's while I was at work the other day. Mike used to draw Manga style quite a bit for a while there. I have no idea whether he still does it, but he is pretty good. One was of me back in my Bujinkan (and long hair) days. I thought I would share it. I am wielding a Shoge if you were wondering:
Looking forward to seeing him again.
Finally, let's get some music up here. I have decided against Dream Theater. Instead, I would like to play a video of one of the songs my band is planning to cover. It is "Wild Child" by W.A.S.P.